Hello everyone, and welcome back to The Bookworm’s Fantasy! I hope you’re all doing well. Today I’m kicking off the blog tour for Kate Hamer’s latest novel, ‘Crushed’. I’ve read all of Kate Hamer’s books now and really enjoy her writing! In this post, I’ll be giving you some information on the book, plus sharing an exclusive extract with you. Thanks so much to Faber & Faber for the opportunity! So, keep reading…
Phoebe stands on Pulteney Bridge, tights gashed from toe to thigh. The shock of mangled metal and blood-stained walls flashes through her mind as she tries to cover her face so she won’t be recognised. It wouldn’t do to be spotted looking like this. She’s missing a shoe. She feels sick.
Phoebe thought murder and murder happened. Thoughts are just thoughts, they said. Now she knows they were wrong.
At home, Phoebe arranges the scissors and knives so they point toward her mother’s room. She is exhausted, making sure there’s no trace of herself – not a single hair, not even her scent – left anywhere in the house. She must not let her thoughts unravel, because if they do, there’s no telling who might be caught in the crossfire, and Phoebe will have to live with the consequences.
About the Author.
Kate Hamer is the author of three novels: ‘The Girl In The Red Coat’ (2015), ‘The Doll Funeral’ (2017) and ‘Crushed’ (2nd May 2019). Hamer grew up in the West Country and rural Pembrokeshire and now lives in Cardiff with her husband.
It was a book full of hate. The words must have been scratched underground at the dawn of time. They should’ve stayed there and never come to the surface. It set it all off again.
I’ve had to come to the only place that can calm me down. The corner of Pulteney Bridge. The only thing is, I’ve lost a shoe so people keep looking. My tights have an open gash from toe to thigh, flashing bright white flesh. I try to cover my face with my hair so I won’t be recognised. Things get reported back. I don’t know where my bag has gone – perhaps I dropped it on the way and didn’t notice.
I’d been calm as the sea before that book. It may as well have come crawling towards me on its elbows, dragging its black and bursting body behind. I should have heeded the inkling I had straight away that it was a bomb about to explode.
I lean against the cool stone of the bridge and look over the water to the weir. Usually it soothes me, but not today. In this water are hidden many ancient things. Sometimes one pops out – a coin, a tin mask, a figure of a bull, a crown, a pin. People are always surprised. Why should they be? The river is at the end of a vast drain sluicing straight down from the Roman bathhouse.
The sun glints off the water. The ancient buildings look more friendly in this light. It turns their darkness the colour of honey. The trees are full of early summer and shake their leaves in the breeze. Yet despite the bright surroundings I cannot be contained this time and I have to lean further over the wall, sickness cramping my stomach.
I’d tried to explain to Grace.
‘It’s just a book,’ she said. ‘It’s just a dusty old copy with half the pages falling out because they won’t pay for new ones. What are you on about?’
Her soft blue eyes travelled from side to side as she looked behind me. Her hair is cropped close to her head. The sight of it always makes me feel tender because I know she cuts it herself. It’s so short you can see the shape of her pretty little skull. I wanted to get her attention back. I cupped my hand over my mouth and whispered to her, quoting from the text.
‘I’ve been eating on the “insane root” again. Not now. Not today. A couple of weeks ago.’
Her eyes snapped back on my face and she nodded and gave a little laugh. ‘I’m partial to a few substances myself.’ Then she frowned. ‘You want to be careful, though, you know. Stuff like that can be dangerous.’
I turned away from her. I was bored of tellings-off. I felt light and free. Nothing bad was going to happen. It was just the warm day that had made me feel there could be a bomb, and Mr Jonasson being so close. All the pieces of me that had flown out came back and began fitting themselves together safely with hardly any gaps left in between.
That’s where it should’ve stopped.
But, no. I had to take it further, didn’t I? I had to go on testing myself, trying things out.
I’ve been told once, thoughts are just that by a woman with a face that looked like a little pussy-cat. The more I stared at her the more she seemed to resemble one.
Usually my tests are of the mundane kind. If I think There will be a red car when I turn this corner, perhaps there will be one. What if I wish for blackberry ice cream on the menu and there it is? If I want that plate to fall, it might and shatter on the stone floor. If, if, if, if. The results so far have been inconclusive.
Not this time.
It must’ve been the darkness of the story that made me do it. It was to show myself it couldn’t happen, that the light and airy feeling was how things were going to be from now on. One last little time, I thought. TRY IT OUT.
Was it five or ten minutes later we heard the commotion? Perhaps I was the only one that went towards it. I slipped out and ran down the road until I saw. There was mangled
metal. Blood ran down the walls.
I froze a good few moments before I ran again.
I reach for the front door key that I wear on a heavy chain around my neck. It’s more precious to me than any piece of jewellery could ever be. Hard won. I clasp it now like a rosary. There’s probably keys down there in the water too, along with the other old Roman stuff washed down from the baths. I can almost see it all, bubbling up to the top. Statues and pendants and nails surfacing at once in a thick and filthy mass, and I feel sick again and have to lean right over the wall. A car behind me beeps, once, loudly. They thought I was about to fall, or jump. Maybe I was. I need to move, but maybe I don’t have a choice.
Well, that was sickening.
I feel shaken to the pit of my stomach as I walk away. They haven’t got enough tents to cover it all up because the blood goes right along the wall on Walcot Street. They were trying to do it in the chaos and then they made everyone drive or walk away and closed the road as quick as they could. Horrific. Stuff like this just doesn’t happen in a place like Bath. I didn’t mean to look but it’s hard not to. It was mesmerising. It’s unbelievable how much blood people have in them. The red was in a stripe coming out from the back of the plastic they’ve rigged up. I could see how it had got cemented in between the blackened old stones and I wondered how they were ever going to get it out. They’ll have to scrape right into the gaps and use hoses so there’ll be a wash of pink water swirling across the road.
Behind the yellow tape there’s people trundling around in white plastic suits now. They look so out of place against all that dirty ancient stone, it’s like flickering beings have been beamed in from the future. My heart feels like it’s never going to slow down to its usual pace. I want to cry so badly. I’m only trying to hold on until I get home. I concentrate hard on looking at the normal little things I see every day to keep me going until I can wail in my bedroom. There’s a shop of mirrors full of glitter. There’s the giant carved head looming over the undertaker’s door – Bath is full of odd things like that, carvings and statues and old buildings. When I was little I always used to whisper ‘Hello’ to the head as I passed because he looked like he was asking, ‘Is it your turn yet? Will you be next?’ And I thought starting a conversation might please him so he’d decide not to choose me. He seems to be staring extra hard and pointedly today. It must be because of what just happened. ‘Hello,’ I whisper in a trembling voice. ‘Not me right now. I’m not ready.’
By the time I get to the fruit shop with bright green plastic grass in the window, my breathing has stopped hurting so much.
How many times and in different lights and times of day have I seen all these ordinary things? Hundreds. Thousands. I try to make them take the place of what I’ve just seen.
That’s when I see Phoebe’s bag dumped in the shop doorway. The sickness returns. What’s happened to her? What’s happened to her? I pick the bag up and stand, rubbing the striped canvas between my fingers, wondering what to do. It seems strangely violent, this familiar bag being here that I’ve seen a million times, swinging on Phoebe’s shoulder, the hard outline of books showing through the fabric. It’s not exactly her dumped body but something makes me think of it. I hug it close, shaking now. God, she frightens me sometimes. It terrifies me the way she carries on. My heart lurches: what if it’s her that’s been killed on Walcot Street? What if it was her blood I saw? I close my eyes and sway, the idea being so shockingly awful. No, it can’t be. I won’t allow myself to think that. I’ll never make it back.
I hurry on, the taste of home so strong now it’s almost on my tongue. I can’t wait to collapse inside and feel safe, to phone Phoebe and make sure she’s all right. But up ahead are Belinda and her crew, and they’re walking so slowly I’ll have no choice but to pass them – it’ll look too odd if I slow down to their pace behind.
As I catch up with them their tense bright faces tighten towards me.
‘Orla, did you see it?’ Samantha’s eyes are starry with the sight of the blood. The ribbon of it in the sun is still glittering her eyes.
We all nod even though I can see it’s put a spring in all their steps. They’ll go home and dissect it together, crouching on one of their beds with their arms around their knees and big, pointy-cornered smiles on their faces they can’t wipe off they’re so excited.
It’s such a beautiful day. The sky is a perfect blue. I have an intense longing to be off this dusty pavement with these girls clucking and mauling over the horror like they’re actually sticking their fingers into it and dabbling there. I think of our garden just down the road. It’s my favourite place in the world. Walled in on three sides and with an apple tree in the middle. In the summer, green vines crawl up the brickwork and the scent of the passion flowers passes over me. Mum and Dad aren’t really that into it so I can poke about in there to my heart’s content. Even when it’s cold I’ll sit out on the bench wrapped in a blanket. In the winter the plants have their own bare beauty with all their bones and pods showing like they’ve been turned inside out. I need to be there now.
‘Got to go.’ A wave of awkwardness washes over me. What’s wrong with me? I can’t even make a quick getaway without breaking into a terrible sweat.
‘Hey,’ Belinda calls after me. ‘What was it Grace was saying today?’
I shrug like I don’t know but I heard perfectly well. I was sitting right next to her. Someone had just read a piece out from the supplementary notes. It was Simon, I think.
‘The role of the witch is to demonstrate the female, intuitive, otherworldly power of the mind.’
And while we were all pondering it, supposedly thinking about discussion points, Grace came up with one of her own.
She said, ‘Did somebody actually write this shit?’
It wasn’t even under her breath. In a way it was kind of thrilling, like breaking the law must be.
Everyone heard but nothing happened about it. It never does. She gets away with anything because of her circumstances. Grace might be only sixteen, while Phoebe and me are seventeen, but Grace always seems by far the oldest – as if she’s twice our age and she’s been married and had three kids already.
Finally I see our house and the face of it seems like the sweetest thing I’ve ever laid eyes on. As I’m trying to get the key into the lock, the door opens and I collapse inside into Mum’s arms.
‘Did you see?’ she asks. ‘Carol from church just called and told me what’s happened. She’s stuck in the traffic.’
I nod and I can feel my mouth turning down so sharp at the corners it actually hurts.
‘Oh Orla.’ She hugs me tight. ‘My darling, darling girl. I was hoping you hadn’t. I was hoping you’d never have to witness something like that.’
Happy reading 🙂